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20"width (50cm) x 20"depth (50cm) x 12"height (30cm) Kilkenny Limestone
Each sculpture is one of a kind made within a Limited Series of 10 Description ‘Sunflower Vessel’ is one of Irish artist Helen O'Connell's signature vessel sculptures from the "Origami Works" series. Composed of the beautiful Kilkenny limestone, it shows the mastery of her chisel in the form of geometric decorative motifs using a sharp interplay of shadow and light with parallel fluting, textural variations and mark making. Evoking the asymmetry of "erratic geometry" it sometimes leads to more playful interpretations of geometry. This is part of a Limited Edition series of 10 Helen O’Connell is an award-winning Irish sculptor with studios in Dublin and neighbouring County Wicklow, Ireland. Much of her work is in Irish Kilkenny limestone, a beautifully versatile material composed of marine life compressed over thousands of years, when the island of Ireland was still attached to mainland Europe. A native Dubliner, she graduated from Trinity College Dublin before surrendering to a fascination with sculpture. Determined to learn the ancient craft of stone carving, she spent several years studying in Ireland before attending the world famous Nicoli studios in Carrara, Italy where she immersed herself in the skills and expertise of generations of artisans. An increasing love of marble subsequently led her to the quarries of Alentejo in Portugal where the indigenous stone is renowned for its unique veining, coloration and particularities and these incredible pieces of layered history are carefully hand picked for specific works. Much of O’Connell’s recent work explores the pure yet ceremonial qualities of the vessel and the unadorned magnificence of Kilkenny limestone is implicit in the light yet unyielding permanence of these forms. The artist is compelled by the energy this timeless material holds and the inspiration of sculptors such as Isamu Noguichi can be perceived in these minimal forms.
12"height (30cm) x 16"diameter (40cm) Kilkenny Limestone
Each sculpture is one of a kind made within a Limited Series of 10 Description "Anemone" is the name given to this remarkable sculpture from the Origami Works Series by Irish artist Helen O'Connell. Composed of Irish Kilkenny limestone, it shows the mastery of her chisel in the form of geometric decorative motifs using a sharp interplay of shadow and light with parallel fluting, textural variations and mark making. Evoking the asymmetry of "erratic geometry" it sometimes leads to more playful interpretations of geometry. These sculptures are part of a limited edition series of 10. Helen O’Connell is an award-winning Irish sculptor with studios in Dublin and neighbouring County Wicklow, Ireland. Much of her work is in Irish Kilkenny limestone, a beautifully versatile material composed of marine life compressed over thousands of years, when the island of Ireland was still attached to mainland Europe. A native Dubliner, she graduated from Trinity College Dublin before surrendering to a fascination with sculpture. Determined to learn the ancient craft of stone carving, she spent several years studying in Ireland before attending the world famous Nicoli studios in Carrara, Italy where she immersed herself in the skills and expertise of generations of artisans. An increasing love of marble subsequently led her to the quarries of Alentejo in Portugal where the indigenous stone is renowned for its unique veining, coloration and particularities and these incredible pieces of layered history are carefully hand picked for specific works. Much of O’Connell’s recent work explores the pure yet ceremonial qualities of the vessel and the unadorned magnificence of Kilkenny limestone is implicit in the light yet unyielding permanence of these forms. The artist is compelled by the energy this timeless material holds and the inspiration of sculptors such as Isamu Noguichi can be perceived in these minimal forms.
20"width (50cm) x 20"depth (50cm) x 10"height (25cm) Kilkenny Limestone
Each sculpture is one of a kind made within a Limited Series of 10 Description "Origami Vessel" is the name given to this remarkable sculpture series by Irish artist Helen O'Connell. Composed of Irish Kilkenny limestone, it shows the mastery of her chisel in the form of geometric decorative motifs using a sharp interplay of shadow and light with parallel fluting, textural variations and mark making. Evoking the asymmetry of "erratic geometry" it sometimes leads to more playful interpretations of geometry. Helen O’Connell is an award-winning Irish sculptor with studios in Dublin and neighbouring County Wicklow, Ireland. Much of her work is in Irish Kilkenny limestone, a beautifully versatile material composed of marine life compressed over thousands of years, when the island of Ireland was still attached to mainland Europe. A native Dubliner, she graduated from Trinity College Dublin before surrendering to a fascination with sculpture. Determined to learn the ancient craft of stone carving, she spent several years studying in Ireland before attending the world famous Nicoli studios in Carrara, Italy where she immersed herself in the skills and expertise of generations of artisans. An increasing love of marble subsequently led her to the quarries of Alentejo in Portugal where the indigenous stone is renowned for its unique veining, coloration and particularities and these incredible pieces of layered history are carefully hand picked for specific works. Much of O’Connell’s recent work explores the pure yet ceremonial qualities of the vessel and the unadorned magnificence of Kilkenny limestone is implicit in the light yet unyielding permanence of these forms. The artist is compelled by the energy this timeless material holds and the inspiration of sculptors such as Isamu Noguichi can be perceived in these minimal forms.
20"width (50cm) x 20"depth (50cm) x 12"height (30cm) Kilkenny Limestone
Each sculpture is one of a kind made within a Limited Series of 10 Description "Centrifugal" from the Origami Series is the name given to this remarkable sculpture series by Irish artist Helen O'Connell. Composed of Irish Kilkenny limestone, it shows the mastery of her chisel in the form of geometric decorative motifs using a sharp interplay of shadow and light with parallel fluting, textural variations and mark making. Evoking the asymmetry of "erratic geometry" it sometimes leads to more playful interpretations of geometry. These sculptures are part of a limited edition series of 10. Helen O’Connell is an award-winning Irish sculptor with studios in Dublin and neighbouring County Wicklow, Ireland. Much of her work is in Irish Kilkenny limestone, a beautifully versatile material composed of marine life compressed over thousands of years, when the island of Ireland was still attached to mainland Europe. A native Dubliner, she graduated from Trinity College Dublin before surrendering to a fascination with sculpture. Determined to learn the ancient craft of stone carving, she spent several years studying in Ireland before attending the world famous Nicoli studios in Carrara, Italy where she immersed herself in the skills and expertise of generations of artisans. An increasing love of marble subsequently led her to the quarries of Alentejo in Portugal where the indigenous stone is renowned for its unique veining, coloration and particularities and these incredible pieces of layered history are carefully hand picked for specific works. Much of O’Connell’s recent work explores the pure yet ceremonial qualities of the vessel and the unadorned magnificence of Kilkenny limestone is implicit in the light yet unyielding permanence of these forms. The artist is compelled by the energy this timeless material holds and the inspiration of sculptors such as Isamu Noguichi can be perceived in these minimal forms.
20"width (50cm) x 20"depth (50cm) x 20"height (50cm) Kilkenny Limestone
Each sculpture is one of a kind made within a Limited Series of 10 Description Helen O'Connell's powerful sculptural series in Irish Kilkenny limestone is inspired by Ireland's ancient megalithic heritage. Entitled "Ancestral" it employs carved motifs such as the spiral and signature Celtic forms such as the ancient torc in a true celebration of her ancestors. Helen O’Connell is an award-winning Irish sculptor with studios in Dublin and neighbouring County Wicklow, Ireland. Much of her work is in Irish Kilkenny limestone, a beautifully versatile material composed of marine life compressed over thousands of years, when the island of Ireland was still attached to mainland Europe. A native Dubliner, she graduated from Trinity College Dublin before surrendering to a fascination with sculpture. Determined to learn the ancient craft of stone carving, she spent several years studying in Ireland before attending the world famous Nicoli studios in Carrara, Italy where she immersed herself in the skills and expertise of generations of artisans. An increasing love of marble subsequently led her to the quarries of Alentejo in Portugal where the indigenous stone is renowned for its unique veining, coloration and particularities and these incredible pieces of layered history are carefully hand picked for specific works. Much of O’Connell’s recent work explores the pure yet ceremonial qualities of the vessel and the unadorned magnificence of Kilkenny limestone is implicit in the light yet unyielding permanence of these forms. The artist is compelled by the energy this timeless material holds and the inspiration of sculptors such as Isamu Noguichi can be perceived in these minimal forms.
15.75"width (40cm) x 15.75"depth (40cm) x 9.85"height (25cm) Kilkenny Limestone
Each sculpture is one of a kind made within a Limited Series of 10 Description Helen O' Connell's powerful sculptural series "Ancestral" in Irish Kilkenny limestone is inspired by Irelands ancient megalithic heritage. Paying homage to her ancestors, "Torc" employs intricately carved motifs like the classical spiral and signature Celtic forms such as the ancient torc. These sculptures are part of a limited edition series of 10. Helen O’Connell is an award-winning Irish sculptor with studios in Dublin and neighbouring County Wicklow, Ireland. Much of her work is in Irish Kilkenny limestone, a beautifully versatile material composed of marine life compressed over thousands of years, when the island of Ireland was still attached to mainland Europe. A native Dubliner, she graduated from Trinity College Dublin before surrendering to a fascination with sculpture. Determined to learn the ancient craft of stone carving, she spent several years studying in Ireland before attending the world famous Nicoli studios in Carrara, Italy where she immersed herself in the skills and expertise of generations of artisans. An increasing love of marble subsequently led her to the quarries of Alentejo in Portugal where the indigenous stone is renowned for its unique veining, coloration and particularities and these incredible pieces of layered history are carefully hand picked for specific works. Much of O’Connell’s recent work explores the pure yet ceremonial qualities of the vessel and the unadorned magnificence of Kilkenny limestone is implicit in the light yet unyielding permanence of these forms. The artist is compelled by the energy this timeless material holds and the inspiration of sculptors such as Isamu Noguichi can be perceived in these minimal forms.
15.75" diameter (40cm) x 12"height (30cm) Kilkenny Limestone
Each sculpture is one of a kind made within a Limited Series of 10 Description "Erratic Geometry" is the name given to this remarkable sculpture series by Irish artist Helen O'Connell. Composed of Irish Kilkenny limestone, it shows the mastery of her chisel in the form of geometric decorative motifs using a sharp interplay of shadow and light with parallel fluting, textural variations and mark making. Evoking the asymmetry of "erratic geometry" it sometimes leads to more playful interpretations of geometry. Helen O’Connell is an award-winning Irish sculptor with studios in Dublin and neighbouring County Wicklow, Ireland. Much of her work is in Irish Kilkenny limestone, a beautifully versatile material composed of marine life compressed over thousands of years, when the island of Ireland was still attached to mainland Europe. A native Dubliner, she graduated from Trinity College Dublin before surrendering to a fascination with sculpture. Determined to learn the ancient craft of stone carving, she spent several years studying in Ireland before attending the world famous Nicoli studios in Carrara, Italy where she immersed herself in the skills and expertise of generations of artisans. An increasing love of marble subsequently led her to the quarries of Alentejo in Portugal where the indigenous stone is renowned for its unique veining, coloration and particularities and these incredible pieces of layered history are carefully hand picked for specific works. Much of O’Connell’s recent work explores the pure yet ceremonial qualities of the vessel and the unadorned magnificence of Kilkenny limestone is implicit in the light yet unyielding permanence of these forms. The artist is compelled by the energy this timeless material holds and the inspiration of sculptors such as Isamu Noguichi can be perceived in these minimal forms.
Oil on Canvas 72" height x 48" width x 3" depth
By Celebrated Storm Chaser Ian Sheldon Description Violet underpainting colours anchor the soft tones in this large prairie study of two storms, while a window of hope and light beyond the drama offers a glimpse into the gentle peach of the evening skies beyond. Artist’s Statement: I have had images of Alberta engrained in my mind, as an Albertan for so long abroad. When I returned to this province after many years, it was the landscape that evoked a strong sense of place and belonging. I am part of this land, as this land is part of me. Only in the prairies do I feel connected and complete. The landscapes I depict come from the heart, mind and real place. My spirit lives and seeks refuge in these landscapes. I am most inspired during a summer storm. The energy I derive from standing in the midst of a tornado-bearing storm instills a vigour that flies out of me through the paintbrushes. I feel connected with the elements in that moment. When the sky apparently fuses with land during a torrential downpour, I feel like the heavens are reaching down for a brief moment and instilling life into the arid plains. It is these events in the vast prairie that continue to inspire me, consuming my summer days as I listen for storm warnings and study the radar for an approaching downpour. Recently I have pondered the significance of landscape and the ability to transfer the sense of place and belonging to landscapes that share similar physical components. It has become clear that the flat line of the horizon allows my spirit to flow freely as an artist. As a result of this freedom, I have become drawn to experiences that involve vast open spaces – in deserts, in the arid altoplano of Patagonia, and in the endless open ocean of the Atlantic. It is in the vast open spaces of the natural world where I find the greatest comfort and hope.
Oil on Canvas 24" height x 8" width x 3" depth
By Celebrated Storm Chaser Ian Sheldon Description Violet underpainting colours anchor the soft tones in this large prairie study of two storms, while a window of hope and light beyond the drama offers a glimpse into the gentle peach of the evening skies beyond. Artist’s Statement: I have had images of Alberta engrained in my mind, as an Albertan for so long abroad. When I returned to this province after many years, it was the landscape that evoked a strong sense of place and belonging. I am part of this land, as this land is part of me. Only in the prairies do I feel connected and complete. The landscapes I depict come from the heart, mind and real place. My spirit lives and seeks refuge in these landscapes. I am most inspired during a summer storm. The energy I derive from standing in the midst of a tornado-bearing storm instills a vigour that flies out of me through the paintbrushes. I feel connected with the elements in that moment. When the sky apparently fuses with land during a torrential downpour, I feel like the heavens are reaching down for a brief moment and instilling life into the arid plains. It is these events in the vast prairie that continue to inspire me, consuming my summer days as I listen for storm warnings and study the radar for an approaching downpour. Recently I have pondered the significance of landscape and the ability to transfer the sense of place and belonging to landscapes that share similar physical components. It has become clear that the flat line of the horizon allows my spirit to flow freely as an artist. As a result of this freedom, I have become drawn to experiences that involve vast open spaces – in deserts, in the arid altoplano of Patagonia, and in the endless open ocean of the Atlantic. It is in the vast open spaces of the natural world where I find the greatest comfort and hope.
Oil on Canvas 16" height x 16" width x 3" depth
By Celebrated Storm Chaser Ian Sheldon Description Violet underpainting colours anchor the soft tones in this large prairie study of two storms, while a window of hope and light beyond the drama offers a glimpse into the gentle peach of the evening skies beyond. Artist’s Statement: I have had images of Alberta engrained in my mind, as an Albertan for so long abroad. When I returned to this province after many years, it was the landscape that evoked a strong sense of place and belonging. I am part of this land, as this land is part of me. Only in the prairies do I feel connected and complete. The landscapes I depict come from the heart, mind and real place. My spirit lives and seeks refuge in these landscapes. I am most inspired during a summer storm. The energy I derive from standing in the midst of a tornado-bearing storm instills a vigour that flies out of me through the paintbrushes. I feel connected with the elements in that moment. When the sky apparently fuses with land during a torrential downpour, I feel like the heavens are reaching down for a brief moment and instilling life into the arid plains. It is these events in the vast prairie that continue to inspire me, consuming my summer days as I listen for storm warnings and study the radar for an approaching downpour. Recently I have pondered the significance of landscape and the ability to transfer the sense of place and belonging to landscapes that share similar physical components. It has become clear that the flat line of the horizon allows my spirit to flow freely as an artist. As a result of this freedom, I have become drawn to experiences that involve vast open spaces – in deserts, in the arid altoplano of Patagonia, and in the endless open ocean of the Atlantic. It is in the vast open spaces of the natural world where I find the greatest comfort and hope.
Oil on Canvas 12" height x 12" width x 3" depth
By Celebrated Storm Chaser Ian Sheldon Description Violet underpainting colours anchor the soft tones in this large prairie study of two storms, while a window of hope and light beyond the drama offers a glimpse into the gentle peach of the evening skies beyond. Artist’s Statement: I have had images of Alberta engrained in my mind, as an Albertan for so long abroad. When I returned to this province after many years, it was the landscape that evoked a strong sense of place and belonging. I am part of this land, as this land is part of me. Only in the prairies do I feel connected and complete. The landscapes I depict come from the heart, mind and real place. My spirit lives and seeks refuge in these landscapes. I am most inspired during a summer storm. The energy I derive from standing in the midst of a tornado-bearing storm instills a vigour that flies out of me through the paintbrushes. I feel connected with the elements in that moment. When the sky apparently fuses with land during a torrential downpour, I feel like the heavens are reaching down for a brief moment and instilling life into the arid plains. It is these events in the vast prairie that continue to inspire me, consuming my summer days as I listen for storm warnings and study the radar for an approaching downpour. Recently I have pondered the significance of landscape and the ability to transfer the sense of place and belonging to landscapes that share similar physical components. It has become clear that the flat line of the horizon allows my spirit to flow freely as an artist. As a result of this freedom, I have become drawn to experiences that involve vast open spaces – in deserts, in the arid altoplano of Patagonia, and in the endless open ocean of the Atlantic. It is in the vast open spaces of the natural world where I find the greatest comfort and hope.
Oil on Canvas 8" height x 36" width x 3" depth
By Celebrated Storm Chaser Ian Sheldon Description The fog of an early fall morning starts to lift revealing the rich colors of the fields in front of the gentle rise of the land in the foothills just west of Calgary, before entering the Rocky Mountains. The artist occasionally enjoys the subtle effects of fog, in high contrast to the potent drama of his colorful storms; fog allows the mind to play with a scene, encouraging the viewer’s imagination to draw its own conclusions. Artist’s Statement: I have had images of Alberta engrained in my mind, as an Albertan for so long abroad. When I returned to this province after many years, it was the landscape that evoked a strong sense of place and belonging. I am part of this land, as this land is part of me. Only in the prairies do I feel connected and complete. The landscapes I depict come from the heart, mind and real place. My spirit lives and seeks refuge in these landscapes. I am most inspired during a summer storm. The energy I derive from standing in the midst of a tornado-bearing storm instills a vigour that flies out of me through the paintbrushes. I feel connected with the elements in that moment. When the sky apparently fuses with land during a torrential downpour, I feel like the heavens are reaching down for a brief moment and instilling life into the arid plains. It is these events in the vast prairie that continue to inspire me, consuming my summer days as I listen for storm warnings and study the radar for an approaching downpour. Recently I have pondered the significance of landscape and the ability to transfer the sense of place and belonging to landscapes that share similar physical components. It has become clear that the flat line of the horizon allows my spirit to flow freely as an artist. As a result of this freedom, I have become drawn to experiences that involve vast open spaces – in deserts, in the arid altoplano of Patagonia, and in the endless open ocean of the Atlantic. It is in the vast open spaces of the natural world where I find the greatest comfort and hope.
Oil on Canvas 36" height x 8" width x 3" depth
By Celebrated Storm Chaser Ian Sheldon Description There’s nothing like a sun-kissed canola field in front of a powerful dark storm to inspire this artist. The potent colors of his skycapes depictions from central Alberta are highly sought after. Almost all of Sheldon’s work factor in some aspect of brightness and hope, here emphasized by the splash of blue sky, storms do indeed pass. Artist’s Statement: I have had images of Alberta engrained in my mind, as an Albertan for so long abroad. When I returned to this province after many years, it was the landscape that evoked a strong sense of place and belonging. I am part of this land, as this land is part of me. Only in the prairies do I feel connected and complete. The landscapes I depict come from the heart, mind and real place. My spirit lives and seeks refuge in these landscapes. I am most inspired during a summer storm. The energy I derive from standing in the midst of a tornado-bearing storm instills a vigour that flies out of me through the paintbrushes. I feel connected with the elements in that moment. When the sky apparently fuses with land during a torrential downpour, I feel like the heavens are reaching down for a brief moment and instilling life into the arid plains. It is these events in the vast prairie that continue to inspire me, consuming my summer days as I listen for storm warnings and study the radar for an approaching downpour. Recently I have pondered the significance of landscape and the ability to transfer the sense of place and belonging to landscapes that share similar physical components. It has become clear that the flat line of the horizon allows my spirit to flow freely as an artist. As a result of this freedom, I have become drawn to experiences that involve vast open spaces – in deserts, in the arid altoplano of Patagonia, and in the endless open ocean of the Atlantic. It is in the vast open spaces of the natural world where I find the greatest comfort and hope.
Oil on Canvas 50" height x 10" width x 3" depth
By Celebrated Storm Chaser Ian Sheldon Description This scene was inspired by the artist’s engagement trip to Isla Mujeres in Mexico. To lie on the beach and watch an endless parade of clouds bubble up and build into storms passed the idle days. The palette of the storm with turquoise waters is one of the artist’s favorite departures from some of his more typical land-based sky studies. Artist’s Statement: I have had images of Alberta engrained in my mind, as an Albertan for so long abroad. When I returned to this province after many years, it was the landscape that evoked a strong sense of place and belonging. I am part of this land, as this land is part of me. Only in the prairies do I feel connected and complete. The landscapes I depict come from the heart, mind and real place. My spirit lives and seeks refuge in these landscapes. I am most inspired during a summer storm. The energy I derive from standing in the midst of a tornado-bearing storm instills a vigour that flies out of me through the paintbrushes. I feel connected with the elements in that moment. When the sky apparently fuses with land during a torrential downpour, I feel like the heavens are reaching down for a brief moment and instilling life into the arid plains. It is these events in the vast prairie that continue to inspire me, consuming my summer days as I listen for storm warnings and study the radar for an approaching downpour. Recently I have pondered the significance of landscape and the ability to transfer the sense of place and belonging to landscapes that share similar physical components. It has become clear that the flat line of the horizon allows my spirit to flow freely as an artist. As a result of this freedom, I have become drawn to experiences that involve vast open spaces – in deserts, in the arid altoplano of Patagonia, and in the endless open ocean of the Atlantic. It is in the vast open spaces of the natural world where I find the greatest comfort and hope.
Storm Edge Slice
Colourway: Golden Almond Standard sizes of Small, Medium & Large. Custom Sizes available upon request
As featured in the Washington Post, Globe Gazette, SFGate & Associated Press! Description There’s nothing like a sun-kissed canola field in front of a powerful dark storm to inspire this artist. The potent colors of his skycapes depictions from central Alberta are highly sought after. Almost all of Sheldon’s work factor in some aspect of brightness and hope, here emphasized by the splash of blue sky, storms do indeed pass. Artist’s Statement: I have had images of Alberta engrained in my mind, as an Albertan for so long abroad. When I returned to this province after many years, it was the landscape that evoked a strong sense of place and belonging. I am part of this land, as this land is part of me. Only in the prairies do I feel connected and complete. The landscapes I depict come from the heart, mind and real place. My spirit lives and seeks refuge in these landscapes. I am most inspired during a summer storm. The energy I derive from standing in the midst of a tornado-bearing storm instills a vigour that flies out of me through the paintbrushes. I feel connected with the elements in that moment. When the sky apparently fuses with land during a torrential downpour, I feel like the heavens are reaching down for a brief moment and instilling life into the arid plains. It is these events in the vast prairie that continue to inspire me, consuming my summer days as I listen for storm warnings and study the radar for an approaching downpour. Recently I have pondered the significance of landscape and the ability to transfer the sense of place and belonging to landscapes that share similar physical components. It has become clear that the flat line of the horizon allows my spirit to flow freely as an artist. As a result of this freedom, I have become drawn to experiences that involve vast open spaces – in deserts, in the arid altoplano of Patagonia, and in the endless open ocean of the Atlantic. It is in the vast open spaces of the natural world where I find the greatest comfort and hope.
Oil on Canvas 60" height x 14" width x 3" depth
By Celebrated Storm Chaser Ian Sheldon Description The intense and varied blues of this storm over a ripening wheat field allow for a beautiful interplay between color and depth as light moves through rain pouring out of the storm into the vast expanse of prairie land. The elongated height of this painting offers a glimpse into a peaceful blue sky beyond the storm, enlarging the viewer’s perspective and showing how limitless the horizon in this part of the world can be Artist’s Statement: I have had images of Alberta engrained in my mind, as an Albertan for so long abroad. When I returned to this province after many years, it was the landscape that evoked a strong sense of place and belonging. I am part of this land, as this land is part of me. Only in the prairies do I feel connected and complete. The landscapes I depict come from the heart, mind and real place. My spirit lives and seeks refuge in these landscapes. I am most inspired during a summer storm. The energy I derive from standing in the midst of a tornado-bearing storm instills a vigour that flies out of me through the paintbrushes. I feel connected with the elements in that moment. When the sky apparently fuses with land during a torrential downpour, I feel like the heavens are reaching down for a brief moment and instilling life into the arid plains. It is these events in the vast prairie that continue to inspire me, consuming my summer days as I listen for storm warnings and study the radar for an approaching downpour. Recently I have pondered the significance of landscape and the ability to transfer the sense of place and belonging to landscapes that share similar physical components. It has become clear that the flat line of the horizon allows my spirit to flow freely as an artist. As a result of this freedom, I have become drawn to experiences that involve vast open spaces – in deserts, in the arid altoplano of Patagonia, and in the endless open ocean of the Atlantic. It is in the vast open spaces of the natural world where I find the greatest comfort and hope.
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